Praised for her “very personal creative power” (Badener Zeitung) and her “amazing coloratura skills” (Opera Canada), Dorothea Hayley has been a soloist with the Vancouver Symphony, the Bourgas Symphony, the Allegra Chamber Orchestra, the Turning Point Ensemble, and Capriccio Basel, and has appeared in recital in Europe, Asia, and North and South America. She has performed in festivals such as Sonic Boom, the Happening Festival, Gulangyu Piano Festival, Performer’s Voice Symposium, New York City Electroacoustic Music Festival, and the Atempo Festival of Caracas, and with organizations like the SMCQ, Chants Libres, CIRMMT, Codes d’accès, Vancouver New Music, the Little Chamber Music Series That Could, and the Land’s End Ensemble. She is a member of the Erato Ensemble, the Broadwood Duo, Ensamble Atempo, and the Hayley-Laufer Duo.
An enthusiastic performer of contemporary music, Dory has worked with composers such as Helmut Lachenmann, Diógenes Rivas, Owen Underhill, Jordan Nobles, and Chris Paul Harman, and created roles in Mark Haney’s Omnis Temporalis and Michael James Park’s Diagnosis Diabetes. The Georgia Straight called her performance of Joelysa Pankanea’s The Fifth Stage one of “five transcendent arts moments” of 2015.
A former Visiting Scholar at Harvard University’s Radcliffe Institute and Visiting Faculty Artist at the Afghanistan National Institute of Music, she currently teaches at Vancouver Community College. She is the Artistic Co-Director of the Blueridge Chamber Music Festival.
Dory pursued vocal studies at McGill University, the University of British Columbia, and the Universität für Musik und darstellende Kunst Wien, and has received grants from the Canada Council for the Arts, the Koerner Foundation, the Social Sciences and Research Council of Canada, and the Conseil des arts et des letters du Québec. She holds a Doctor of Music degree from Université de Montréal.